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SHELL GAME
by
Eliot Fintushel
|
T |
he
old nun strapped Karl into the hypodyne. She touched his hand, then began the command
sequence to scan him into the Collective Unconscious.
"Shouldn't
we wait for Willard?" His skin
began to glow as if he were a swamp animal, moonlit and steaming. "If I'm going to turn into stars and
breezes for the Resistance, I want someone who knows this gizmo to run
me."
"Can't wait," the old nun said,
closing the switch that would make him stars and breezes. "They're coming. Wenty's Gang!"
Under the hypodyne
Karl's body fizzed like a head of lager. His liederhosen
ballooned. He became translucent, then transparent,
as flesh sizzled into data, manipulable data.
He was gone.
The old nun prayed: "Sleep, Wenty! Please don't see him. Sleep!"
She massaged her temples, then raked her fingers
through hair dry as windburn. It was
down to her shoulders now--still a strange feeling. Eight years a shave pate at Butsu Shin Ji, she'd made herself
a promise when Wenty burned all the monasteries to the
ground: "I'll let it grow till the world has
its conscience back."
Outside her door, the ancient wooden stairs
creaked. The old nun stiffened. Her blood bumped-bumped, core to skin. She gripped the keyboard--now it meant
weight, not wiring; she could smash a nose with it and run. The door opened.
As she--but not her glands--had known, it was
her tech man. He skulked in, munching an
apple.
"Close the door," she said. "You're sure you weren't followed?"
"What do you take me for?"
She stood.
"You punch Karl in, Willard.
I just hypodyned him."
"No, you do it. I want to finish the apple, okay?"
The old nun scowled. She sat again. She punched the keys that threw Karl into the
Collective Unconscious. She divided him in
two, as they had planned; Karl was Karl and Dagmar
now. Then the old nun set to work on the
old fairy tale.
|
"L |
issen@" Toes sticking out the holes in their quilt, Gretel
curled against Hansel. Hansel pressed
his ear to the well.
("Not
a well, dammit, a wall!" The old nun squinted at the monitor and
retyped.)
On the other side of the wall, Karl, their papa,
fastened down the sender, matte black and chrome, its perfect, tiny telegraph
key surmounted by a wooden knob. He
uncoiled the wire from its spool and laid it out in a large figure eight,
reaching up to fasten the end to a stone outcropping in a coroner of the ceiling. The gaunt doctor tugged it into his surgical
gown, then faded into the mortar as the old nun removed the extra 'o'. ("Damn!")
Papa cradled the sender in his lip, then in his
lap, to insulate the sound of the
key--Even with the mercury plunger, the hinge made a slight noise. He began sending the encoded message, with
the lag before the seventh, eleventh and nineteenth letters--the assurance to
the old nun that everything was okay.
|
H |
untington
Wentworth, XIX grabbed pretty Cyd and kissed her all
over her face and neck. "The place
is ours now, Baby, like everything else."
He kicked the table onto its side and laughed as the plates shattered and
silverware avalanched to the floor, already littered with shards of fingerbowls
exploded by his laughter. "And it
only took two nukes!"
Suddenly, he pulled his lip from her little
teeth and pushed her away. He stood very
still, as if listening for a rat in the wall.
"Did you feel that?" He
fished the transmission monitor out of his cummerbund, punched in a short code,
and watched . . .
"I knew it!" He upended some more tables and kicked a
small hole in a partition covered with antique French wallpaper.
"What is it, honey?"
"Guilt!" He was livid.
"I felt this twinge of guilt.
I hope to God you never have to find out what that is, Baby. It's liquid shit. That nun bitch is screwing around in the
CU. Sure as death, she's trying to fool
us, using old electromag stuff!" He smacked the monitor with the back of his
hand.
"What's death, sweetie?" Cyd was wrinkling
her powdered forehead, her shawl falling off her shoulders and slipping to the floor,
her little red mouth catching flies.
Wenty charged into the Moon
Bazaar office, slamming an ancient clerk between door and corner. The former owner stopped cleaning out his
desk and tried to make himself flush with the wall. Wenty scooped up
the telephone, slapped the tiny transmission monitor against the receiver and
started up the phone tree. "Two can
play the low tech game!"
While he waited for the first connection, Wenty smiled. He threw
a wad of money on the floor to lure the startled lackey close enough to kick
his head.
"Can I pop him later?" Cyd nibbled Wenty's ear as the little man wormed nearer.
"Yeah, sure,"--eyes on the
monitor--"if it don't bore you by now."
"You're so swell, Wenty! Things bore you that would give anybody else
a heart attack!"
|
H |
ortense
Meander Smythe-Hampton rubbed her temple against the
cellular as she listened to Snarls's baritone
rasp. In her mind, she ran over the
locations of all her accounts and deposit boxes. Plutonium was a sensitive market. A little shift of balance in the CU, the
slightest twinge of self-recollection, social conscience, or remorse, and her
whole empire might come tumbling down.
The phone set cradled on his shoulder, Snarls
"The Butcher" Jessup was polishing off some baby ribs from one of the
villages he'd lately slaughtered.
"(Urp!)
They got into the CU through one of the old fairy tales. Their old nun is changing round the plot,
like she tried to do with
"
"Remember where Adam is naked in the
Garden, and God tells him (Urp!) what a beautiful
hunk he is . . . ?"
"'And God saw that he was good'?"
" . . . That's it. (Urp!) Well, before Wenty
fixed it--Not everybody knows this--when the pinkos
still had their gums in it, it used to be that Adam was ashamed, and he hid
himself. Don't you think (Urp!) the pinkos loved that, the
stinking, people-hating, pamphleteering little . . . "
"Adam was what?"
"Ashamed!"
Hortense had to think hard to
remember the meaning of that word; when it started to come back to her, she
didn't like it--"I don't think I want to continue this
conversation"--and she hung up.
Ashamed!
A shiver went up her spine. She
did what she was supposed to do, however, what Snarls called her for, what Wenty called the guy who called the guy who called Snarls
for. She removed the steel casing of her
household service connector and entered Wenty's
code. Her house lights dimmed; Wenty's brightened.
Then she dropped her tunic, unpinned her hair,
and marched right out onto the street for some sex.
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W |
enty
watched the numbers flash by on his tiny portable.
Cyd leaned over his shoulder, counting along. "Jeez, Wenty, that's
a lot of ergs! What are you gonna do with all that?"
"Watch my smoke, baby. We got them outgunned a hundred to one. Let's have a little fun. What's your favorite thing to eat?"
"I like caviar on melba toast with
champagne, kind of. Okay?"
|
"C |
hildren,
we are going for a walk in the woods," Mama shrilled with jackboot
diction. Papa swung wide the larder
door. "As you see, the larder is
empty. We shall have to do without breakfast."
Hansel and Gretel were just running in from the
well, where they had gone to wash.
"But Plapa! Malma!" Hansel's face was dripping wet. He smelled of wine. Gretel giggled and clapped her hands. She skipped unsteadily behind him, clinging
to his nitshirt.
"Our troubles are over! Look
outside."
Next to the woodpile were two great mounds that
had not been there the day before. Each
was nearly the size of the cottage itself.
One mound consisted of slices of melba toast in individual cellophane
wrappers, and in the other were innumerable wooden crates with Cyrillic
lettering on the sides. Each crate, Hansel
had discovered, contained twenty jars of imported caviar.
Mama ushered the children inside and pulled the
drawer shut on their behinds.
("Dammit, the
door, not the drawer! Shut the door on
their behinds! Willard, can't you do
this? Aren't you done with that apple?")
"Yes, Papa, Mama!" Gretel sang. "We shall surely live happily ever
after!"
"You children had better go to your room
and lie down for a minute. You are so
hungry, you are seeing things."
Papa nudged them toward their rheum and shat the door. A vile odor spread through the hut as the
door sagged and dripped.
"Bourgeois pigs! Wenty's boys have
found us, Dagmar." Papa felt the old disappointment, like scum
settling in a fishbowl. "Now
what--happily ever after? There'll be no
stopping them. They'll gobble the world,
quash every scruple, every restraint!"
"Karl, Karl,"--taking his hand in
hers--"please try to stay calm.
Caviar, toast--it's a joke! They
could have made us rich and lazy and the children stupid and happy. We can out-think them, if we just stay
calm."
"If we can't change the stories, Dagmar, and if Wenty finds the
old nun, it's all over. Conscience is
dead."
"They've slowed us down a bit, that's
all. Don't worry, Karl!"
"I can't help it. I sloughed off everything--my name, my body--I
let it all be translated into this cybernetic buzz. For what?
The old nun said we could beat them.
The old nun said we could change back the heart of the world, Dagmar."
Dagmar laid her other hand on
Karl's shoulder and shook him gently.
"We're in the CU, Karl, and Wenty's
not. We've got that advantage, and we've
got the old nun for air cover, fixing the words before they're out of their
throats. The old nun won't let them
win."
Suddenly the walls glistened and throbbed. The room collapsed in on them like a
punctured balloon. The floor was a dark
red, viscous fluid sucking at their feet.
From all around them, a sustained, hysterical whinny. They were inside the flesh of a small
horse. Then, just as
suddenly--BACKSPACE, DELETE--the old nun spied her error, and it was a small
house again.
"She can't even keep the spelling
straight." Karl leaned, exhausted,
against a windrow, which cracked slightly under his weight when the
"r" was removed. "Back in
Moses, when the water covered us and we needed a
"She fixed it. She got us out okay."
"Yeah.
With a miracle. How many of those
can you pull before Wenty's boys are all over
you?"
"Shush!" She tightened her arms to her sides--a
military stance. "They're
peeking." The door had become a
wooden structure again--SHIFT REPLACE--but retained the shape it had settled
into as excrement, covering only half the doorway.
"Look," Mama whispered. "We've got to try it anyway, Karl. Never mind the non sequitur."
"Right.
Into the woods!"
|
"I |
like to eat the core too," said Willard,
"and the seeds--everything but the stem actually. Did they kill the tots yet?"
The
old nun hazarded a desperate look away from the monitor at Willard. "No!" As she stared at the screen again, days
passed in the CU. Wenty
sneaked the children back from the woods, keystroke by keystroke--"I was
too slow, Willard!"--with moonlit stones.
The old nun had Dagmar latch the hut to keep
Hansel from gathering more stones, and they tried the woods again next morning. How Wenty's lot got
the bread crumbs into Hansel's pocket, she had no idea.
"Did you try birds?"
Well, yes, the old nun managed to supply a few
hungry birds to get rid of them, but it was close. At first they were a company of Hassidic
elders in long black coats, stooping and dragging their whiskers through the
bracken to nibble up the trail of crumbs; finally, the old nun caught her error
and changed the rabbins to robins. The candy house was next . . .
"Hang on, Boss. Lemme just finish
my seeds here."
. . . Dagmar, now a
gobbling witch, had nearly finished the children off, when the Gang finessed
them--Dagmar was in the oven instead. Karl moaned beside her: "We'd better pack up shop and go back
while we can. Face it, Dagmar--it's their story.
We're beaten." In the dark
oven, Karl and Dagmar, invulnerable as a string of
zeds and ones, sizzled on hot coals.
"No, Karl!
We can still stop the Gang."
The old nun was trying, but she could follow them only dimly now. She tried giving them various tools: a crow
bra, a harmer, an actylene rotch
to force their way out. They can put a
Bazaar on the Moon, but they can't make a machine that reads my intention!
Dagmar examined the rotch, a strange, useless thing, before tossing it into the
coals. "We'll change the shell by
ourselves. We can shift out of here
before they catch on."
"The old nun won't know where we are. It will be just us against the whole
Gang."
"We've got no choice, Karl."
She was right, and he knew it. "Close your eyes, then." She did so.
"Now close the rest of your senses." And she did. They crossed hands, his right in her right,
his left in her left, and they squeezed till a drop of blood trickled down
where her nails pierced him.
|
"I |
've
lost him . . . Where can I toss this stem?" Willard said it without emotion. He didn't blame himself. There was no blame. Watching over his shoulder, the old nun noted
that absence of affect as more important than the techy's
words themselves.
"Let me see that," she said. Willard yielded her the swivel chair and
earphones. The old nun had not noticed
before what a linear creature he was, broken lines head to toe, no curve, no softness
anywhere. She took his place at the
screen and watched the characters fill the dark rectangle and start to scroll, glowing
emerald snow, flashing now and then:
" . . .. . . a puff of blue smoke . . .
rubbed their eyes to see the cottage and
everything in it gone . . . skin like sand and
limbs like cracked taffy where the pit yawned .
. . "
Then numerals, ampersands, paragraph and pound
signs, asterisks and noise . . .
"They've changed the shell," the old
nun said. "Can you find them?"
"I don't know if I feel like it," he
said.
She felt her stomach muscles tighten. "Tell me what you recall of the Hansel
and Gretel story, and don't waste any time."
"Me?
What I recall?"
"Yes, from your childhood, or wherever you
seem to remember it from. Tell me the
story."
She listened with increasing horror to the tale
of the two sweet children and their happy parents, who gave them a surprise party
one day in the woods, and how they all lived happily after. She realized that she now remembered it the
same way. All the darkness was gone, and
with it, caution.
The old nun rose and backed away slowly as
Willard played with a pair of large channel locks, tossing them from hand to
hand and eyeing her coldly.
|
K |
arl
plunged into prehistory. Dizzying--he
felt carobs and cypresses from inside, as if they were prickles of hair. He trembled, and dunes shifted. He sighed: a cyclone gathered. The oceans were his lymph and blood. He was Jehovah!
Far below, he saw Cain. Eyes downcast, Cain brooded over his slain
brother. Now to mark him! Now to shame him and all the House of Cain--a
prophylactic twinge in the Wenties' unconscious!
"Am I my brother's keeper?"
Jehovah poised to answer when suddenly, from
another quarter, a deep voice thundered, rending the sky and shaking the mountain
side. "Well spoken, Son of
Adam! Well spoken and well done! I was but testing thee when I favored thy
brother. Now thou hast shown thyself his
better! To thy seed, conquerers
and kings, shall belong all peoples and things of the earth."
Dumbstruck, Jehovah surveyed the landscape,
translating, in his mind, all its features back into the mother code, the patterning
force of the CU. He spotted them behind
a nimbus, laughing. They had found
him. Wenty's
boys were there, laughing at him.
Jehovah shrouded himself in a pillar of smoke
and fled. Another shell!
|
W |
enty
and Cyd repaired to the budoir
of convenience adjoining the Bazaar office.
Things were well in hand. Why be
a dull boy?
"What's
the guy doing now, the CU crook?" Cyd slid her finger down Wenty's
cheek and rested it on his lips.
He kissed her hard into the pillow. Then he laughed and held the portable up for
her to see.
"He's trumped. He's fleeced.
He thought he was God. What a
burner on him, huh? Him and the
nun! Ain't I
the smartest, baby? Ain't
I the best?"
"Oh Wenty, I love
you so much, you make me wanna kill somebody with my
teeth."
"Later.
Look at this. The pinko is trying to pull something down there. See those numbers? He's getting cute, but he can't go nowhere I
can't follow." Wenty
pushed a tiny button and laid the portable down on the night table. He beat his fist against the wall, and they
heard the old Bazaar boss groan in his shackles. Cyd giggled.
Then they made the percale flutter.
|
T |
ry
different shells, other layers of the CU.
They are all coextensive, interpenetrating. Changing one changes all, according to the
causal structures of the mother code, of which all shells are dressing, personae,
aspects of a gem, dewdrops on a sky-wide web, each reflecting all the others, a
myriad languages for one intent.
The old nun sat at the computer, monitoring the
wild flow of data. Willard's inert form
slumped in the doorway, the channel locks where she had left them--in his
teeth.
Her operative in the CU had struck out on his
own, God help him! Only occasionally she
saw a fleeting sign of his activity--a ghostly alphanumeric flashing in one of
the familiar configurations--but there was too much flux to focus in. There even seemed to be some interference
from a weather satellite.
Wait a minute . . . ! Stars and breezes . . . !
|
"Y |
our
type always has a headache!" the fellow said. "You're a tease, that's what you
are."
"Please
don't take it personally," Hortense gathered her
scattered underwear from the lawn.
"I thought I could do it. I can't,
that's all. Look at the sky, will
you? When is the sun going to
show?"
"What are you talking about?" Dames were all inscrutable and perverse. He should have just walked on by when she
peeked out to proposition him from the bushes.
Now he was late for the poppings.
"Doesn't it depress you? How can anybody do it? I can't remember what a good day feels
like. It isn't like this everywhere, is
it?"
Suddenly, he thought it was. He knew just what she meant. Life was hardly worth living. He didn't feel like making love either. Not ever, not any more. "You know, I can't help feeling like
it's something we done, you know what I mean?"
"Yes, that's exactly how I feel." So did a lot of people.
He didn't want to go to the poppings
any more. He didn't want to do
anything. He just wanted to sit down and
think things over. He wanted to be a
better person.
Hortense did too, only the phone
was ringing inside, and she'd have to answer it first. "Hello?"
"Don't you hello me," Snarls
barked. "Why did you take so long
to answer? We're on alert."
"'La chair est triste, helas,'" she moaned,
"'et j'ai lu tous les livres!' That's Baudelaire."
"This has been the sunniest year anybody
cares to remember, and as soon as this little cloud passes, it's looking to be sixty-eight
degrees and sunny for the rest of the week."
"That's not true."
"It will be in a minute, goddamnit. Wenty's fixing it in the CU."
"'One must change one's life,' Snarls. Rainer Maria Rilke."
"'You're an asshole, Horty.' Snarls Jessup. Just keep it together till the climate stats
change back, will you? We need your
energy credits." He hung up.
|
W |
enty
found him. He had traced Karl's, a.k.a.
Jehovah's movement across the quivering, prismatic shell space, through numerical
isomorphs, lattices of hex-dumped pinko footprints,
to a shadowy corner of the CU.
The old nun's operative burrowed like a mite
into the skin of the subconscious, working on emotional perceptions of wind, air,
clouds, light . . . the component impressions of a "climate." She helped him skew the figures to give the
entire world the climacteric mentality--"No, not menopausal, for pity's sake!"--climatic
mentality of twentieth century
Wenty undid it in a dozen key
strokes. Hortense
scattered her undies again.
"Are you a genius, sweetums,
strictly speaking?" Cyd asked him.
"Honey, they ain't
come up with a name yet for what I am." Trailing satiny bedsheets,
Wenty strode back to the Bazaar office. He threw the clerk another couple of hundred
to continue bludgeoning the Moon Bazaar's old boss. Wenty especially
liked the squealing that accompanied strangulation after a good beating.
Later, he would let Cyd
pop him.
|
N |
ight
had fallen. Bleary-eyed and headachy,
numbers spooling through her brain, the old nun had lost him again--"Jehovah! Jehovah!
Where are you?"
She
licked the knuckle she had bruised against her techy's
jaw, then the old nun pounded the desk and stood up; the sudden straightening
of her knees sent her chair flying backwards into the prostrate
technician. "Do bad and feel
good--that's what you want. Well, over
my dead body!" There were plenty of
dead bodies in the Resistance.
She looked down at the screen again and suddenly
cried out. Jarred by her movement,
something had changed, and there, mirabile dictu, in a dizzy swarm of pixels, was her man's electronic
signature.
The old nun typed furiously, changing shells
again. The prone techy
might have accomplished it more elegantly.
She threw her man stumbling on eight legs through Little Miss Muffet, and spinning, asterisked and italicized, through
five monkish theologies. Wenty was everywhere, as the old nun typed and retyped. BACKSPACE!
DELETE! "Got to get it
right!"
The old nun swooped him down into biochemistry,
down into the niches between quanta, under the dark crests of
--Another mistake! Wenty, following,
grinned and tweaked a few molecules.
Suddenly timber wolves stopped lowering their heads. The old nun had led him to it! Now, even as she typed, the old nun could
hear the din from a nearby park.
Animals, unrestrained by instinctive deference, were tearing one another
to pieces.
The air itself seemed to be separating into
warring gases. The old nun's skin felt
as if it were leaping off her bones. Her
world winked out for a moment. All she
could see were her own hypnagogic images, the firefly
streaks inside her eyelids.
When the light came back, Jehovah was there--not
the God but the field operative, bowed and naked. "What am I doing back here?"
"Hell!
I must have mistyped. I brought
up the wrong shell."
"Yeah, this one--everyday life." He was panting. His skin was a patchwork of scabs, filth and grue. His nose was
smashed and bloody. His left wrist bent
at an impossible angle. Patches of hair
were missing.
"Everyday life! Is that a shell?"
The walls rumbled. Jehovah went to the window and peered out. "They're coming. No more finesse. No more filigree. They're just going to come and beat the shit
out of us and then kill us like the others."
"Is everyday life a shell?" She couldn't stop saying it. She looked at the trail of characters she had
typed into the console, the error that had brought her operative back into the everyday
world. It had never been done this way
before. The configuration was the same
as that for calling up a shell in the Collective Unconscious.
"Well, what are we going to do?" Jehovah watched Wenty's
convoy crash down a dirt road toward the decayed warehouse, their HQ in
exile. "This is it, isn't it? The Gang is right. Why not? Conscience is a dinosaur. Nothing means anything."
"Don't say that!"
Thundering up the staircase, two uniformed
thugs, heavily armed, shouldered the door down and tramped in. In the hallway, a high-pitched voice:
"Remember, Wenty. Don't let them hurt anybody. No killing.
No shooting."
"Right, baby. Sure, Baby.
You get to pop 'em,"--a deeper voice.
They walked in.
Like a child in a candy store, Wenty's girl hugged
his arm, her eyes big with delight. Wenty laughed at the old nun: "That's one for me,
kid. You let me trace you--very careless. But I would have got you anyways."
"Everyday life is a shell!" The old nun's left hand rested on the space
bar--click, click, click, click . . .
"Sure it is,"--laughing--"We knew
that. That's why anything goes,
babe. That's why we can do whatever the
hell we wanna. It's just a shell, you poor moralistic
sap. It don't matter a damn if I kiss
your feet or pop you."
"Wenty," the
girl said, "you promised me I get to do that."
The thugs handcuffed Jehovah and next turned to
the old nun. She leaned into the console
and started typing furiously. Suddenly,
they stopped.
"What the hell is going on?" Wenty barked.
"Get her!"
The old nun just fixed her eyes on the screen
and typed.
"Wait," said Wenty. "You're right. Live her alone. What the hell am I saying? Wenty's Glang is finished.
We can't can't fight tha
truth eny longer.
Wait a damn minute!"
"Wenty," his
girl said, "I've been dying to heark you say those
words. I feeel
so bad. I don't like whok
I've become."
"I now what you mean," one of the
soldiers said, his eyes filling with tearks.
The other soldier uncuffed
Jehovah and then embraced him. "Forgrive me, brother!"
"Let me use your phone," Wenty said. "I
have to start thisk moving ub
the tree."
The old nun was too busy typing to respond. Jehovah laid a hand on Wenty's
back and directed him to the telephone.
"Here it is,
"No," she said, "that was your
own move." She was still typing.
"What happens when you croak at the
keyboard?"
"While they're busy sending the Good News
up and down Wenty's Gang, we'll change the
controlling stories underneath this.
Then I can take a breather. Are
you ready to get back into Hansel and Gretel and the rest?"
"Whatever you say."
"Whatever I say. Frightening, isn't it? I have to stop talking. One typo and you might have a nose on your
belly."
Jehovah looked at Wenty's
girl. She was chewing her lip and sobbing. "Take it easy," he told her. "Everybody makes mistakes. You're a good person. I can tell."
"Forglive
me," the old nun typed.
"Forglive
me," the girl said.
|
O |
n
up the phone tree, Snarls was saying, "A convent, Horty?
It sounds just the thing." He threw down his giblets in disgust. "One must change one's lrfe."
